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However, The Soft Bulletin isn't a reaction to Zaireeka but an extension of it, the result of a band writing songs after it has learned a new alphabet.
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Then again, a pop record full of lush strings and hushed harmonies couldn't help but sound straightforward after the band's last effort, 1997's Zaireeka, a four-disc set designed to be played at the same time, an album that came with some assembly required. That's just what The Soft Bulletin, The Flaming Lips' recently released 10th album, is.almost. So maybe at this stage in his life and career, the most unusual thing Coyne and his band could do is be normal. His recent experiments with car-stereo symphonies and build-it-yourself albums have done nothing to shake those thoughts, but strengthened them until they became established facts.
The flaming lips soft bulletin new years eve cracked#
Since Coyne formed The Flaming Lips in 1983, he has always been thought of as an Okie from God-knows-where, the man who cracked open his brain and let it all spill onto the tape.
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It's an unexpected image, one that seems totally at odds with the memory of Coyne onstage at Theater Gallery, singing about "Jesus Shootin' Heroin" and the "Hell's Angel Cracker Factory," songs that were at once so pretty and so ugly.
![the flaming lips soft bulletin new years eve the flaming lips soft bulletin new years eve](https://media.npr.org/assets/img/2011/05/30/flaming_lips_wide-31a082d19b550de2a74c60fd309d61e4440a8523.jpg)
Right at that moment, it becomes clear that the strangest thing about Coyne is that he's not that strange at all, just another friendly neighbor trying to help out. When he comes back on the phone, he warns his interviewer he may have to bail out yet again if he sees Boss Man outside. Before long, Coyne abruptly leaves again, this time to explain the situation to Boss Man's owner.
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Boss Man is really a sweet dog, Coyne tries to explain when he returns a few minutes later, unsuccessful in his search, but it scared the hell out of the kids Coyne had hired to mow his lawn when the pit bull escaped from his neighbor's fence, sending the kids scurrying into his house for help.
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But just as he's discussing the current fates of some of the names and faces from his past, Coyne drops the phone without much warning so he can go outside and help track down Boss Man, his neighbor's pit bull. He's more of an outsider when he's in Dallas now, long since removed from the local musicians he once could have been mistaken for.Ĭoyne still remembers those days, mentioning former Theatre Gallery boss Russell Hobbs and ex-Three on a Hill frontman Peter Schmidt almost as soon as our conversation begins, asking what they're up to. These days, when he's in town, it's usually so his longtime girlfriend, Michelle, can visit her sisters. But Coyne doesn't come to Dallas with his band much anymore, maybe once or twice a year. The Flaming Lips were such a fixture in the nascent Deep Ellum scene, they should have been included on 1987's The Sound of Deep Ellum, the compilation Island Records put together to document what was happening between Commerce and Elm at the time. Every few weeks, Wayne Coyne drives the three hours south to Dallas from his home just outside of Oklahoma City, a place he refers to as "Wayne Manor." It's a trip he's been making since the mid-'80s, when his band, The Flaming Lips, took the stage at Theatre Gallery or Twilite Room seemingly every weekend, playing with Three on a Hill almost as many times as guitarist Tench Coxe.